Paolo Veronese
1528-1588 Paolo Veronese Galleries Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings. He headed a family workshop that remained active after his death.
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Paolo Veronese Magdalene-s Conversion oil painting


Magdalene-s Conversion
mk170 circa 1550 Oil on canvas 117.5x163.5cm
Painting ID::  43068 		Paolo Veronese
Magdalene-s Conversion
mk170 circa 1550 Oil on canvas 117.5x163.5cm
   
   
     
Paolo Veronese THe Adoration of the Kings oil painting


THe Adoration of the Kings
mk170 dated 1573 Oil on canvas 355.6x320cm
Painting ID::  43071 		Paolo Veronese
THe Adoration of the Kings
mk170 dated 1573 Oil on canvas 355.6x320cm
   
   
     
Paolo Veronese The wedding to canons oil painting


The wedding to canons
mk186 1552/63 Paris muse you Louvre
Painting ID::  45692 		Paolo Veronese
The wedding to canons
mk186 1552/63 Paris muse you Louvre
   
   
     
Paolo Veronese The wedding to canons oil painting


The wedding to canons
mk186 1552-63 Paris muse you Louvre
Painting ID::  45710 		Paolo Veronese
The wedding to canons
mk186 1552-63 Paris muse you Louvre
   
   
     
Paolo Veronese The Marriage of St Catherine oil painting


The Marriage of St Catherine
c. 1575 Oil on canvas, 337 x 241 cm
Painting ID::  51013 		Paolo Veronese
The Marriage of St Catherine
c. 1575 Oil on canvas, 337 x 241 cm
   
   
     
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     Paolo Veronese
     1528-1588 Paolo Veronese Galleries Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings. He headed a family workshop that remained active after his death.

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